panel paintings
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Issue 35 – June 2025
£6.47 – £8.47 Select options This product has multiple variants. The options may be chosen on the product pageThere are two very involved articles in this month’s Antiquary. We begin with a detailed exploration of the Thornham Parva Retable, a remarkable fourteenth-century panel painting housed in a remote church in Suffolk. The retable, an altarpiece, depicts the crucifixion of Christ surrounded by saints. The painting’s iconography and stylistic features suggest it was originally created for the Dominican priory in Thetford in Norfolk, around the 1330s and 1340s, but how it survived the Reformation is a bit of a mystery.
Then we delve into the very complex subject matter of the Great Seal of the United Kingdom, focusing on its purpose, significance and origin and the development of the office of Lord Chancellor. This fascinating subject highlights the extraordinary continuity of tradition in the administrative practices of the United Kingdom. However, we don’t stop there, a consideration of the Great Seal would be incomplete without a look at the two other royal seals once in use for governmental business, the Privy Seal and Signet, and we look at how they developed and why they disappeared.
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Previous Issues
Issue 7 – February 2023
£6.47 – £8.47 Select options This product has multiple variants. The options may be chosen on the product pageThe churches of Norfolk contain one of the most remarkable collections of late medieval art in Western Europe – they are a series of panel paintings incorporated into screen work, most notably rood, or as they are more appropriately called, chancel screens. Some of these paintings are of such fine quality that they are of international importance. If they were hung in an art gallery in a major city, they would be well known and acclaimed – but because they are to be found in isolated churches, they are not appreciated as much as they ought to be. In this issue of The Antiquary, we want to share examples of this great artistic legacy to give some sense of the significance, purpose, and motives behind their creation. In many cases, these works of art, like our medieval churches in England in general, are now fragile and perilous. Unless they become better known, we risk losing an artistic treasure and essential source material for our medieval ancestors’ religious and social life.
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