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    Issue 12 – July 2023

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    Welcome to the July 2023 issue of The Antiquary, and in this issue, we celebrate a full year of the magazine. I thank all of you subscribers and supporters who have made this possible. This issue is one of our periodic albums focusing on a particular theme in the History of Art. It looks closely at the portrayal of angels, with images from both an English and Welsh context, primarily from the Middle Ages. The essay running through the issue focuses on the textual sources for the iconography of angels, both the biblical and broader tradition of the Church, and the influence of Pseudo-Dionysius on the understanding of angelology. I do hope you enjoy this issue.   

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    Issue 7 – February 2023

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    The churches of Norfolk contain one of the most remarkable collections of late medieval art in Western Europe – they are a series of panel paintings incorporated into screen work, most notably rood, or as they are more appropriately called, chancel screens. Some of these paintings are of such fine quality that they are of international importance. If they were hung in an art gallery in a major city, they would be well known and acclaimed – but because they are to be found in isolated churches, they are not appreciated as much as they ought to be. In this issue of The Antiquary, we want to share examples of this great artistic legacy to give some sense of the significance, purpose, and motives behind their creation.  In many cases, these works of art, like our medieval churches in England in general, are now fragile and perilous. Unless they become better known, we risk losing an artistic treasure and essential source material for our medieval ancestors’ religious and social life.

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    Issue 6 – January 2023

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    This month’s issue focuses on various buildings and objects related to the turbulent time of the English Reformation or a response to it. We begin with an article on the remains of two splendid fifteenth-century vestments from Norfolk, which survive due to recycling after the Reformation. Then an article on ‘ritualism’ in the twentieth-century Church of England and a set of baroque furnishings by Martin Travers for a church in Berkshire.  We look at the history of a woodcut found in a book printed in the reign of Mary Tudor, a book that formed part of the re-equipping of English churches after the iconoclasm of the reign of Edward VI.  Lastly, we introduce you to battered painted panels from a screen in a Norfolk church and discuss what these panels tell us about devotion in early sixteenth-century Norfolk.

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